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Excerpts Science Fiction

Read an Excerpt From After The Fall by Edward Ashton

Humans must be silent. Humans must be obedient. Humans must be good.

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Published on February 4, 2026

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-after-the-fall-by-edward-ashton/">https://reactormag.com/excerpts-after-the-fall-by-edward-ashton/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838280">https://reactormag.com/?p=838280</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/science-fiction/" class="inline-block link-no-animation" aria-label="Link to term or tag Science Fiction 1"> Science Fiction </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>After The Fall</i> by Edward Ashton</h2> <div class="prose post-hero-description prose--post-hero">Humans must be silent. Humans must be obedient. Humans must be good.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/edward-ashton/" title="Posts by Edward Ashton" class="author url fn" rel="author">Edward Ashton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 4, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/excerpts-after-the-fall-by-edward-ashton/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" 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7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/02/After-The-Fall-header-740x407.png" class="w-full object-cover" alt="Cover of After The Fall by Edward Ashton." srcset="https://reactormag.com/wp-content/uploads/2026/02/After-The-Fall-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/02/After-The-Fall-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/02/After-The-Fall-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/02/After-The-Fall-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><a href="https://us.macmillan.com/books/9781250375650/afterthefall/" target="_blank" rel="noreferrer noopener"><strong>After The Fall</strong></a></em>, the new novel by Edward Ashton that&#8217;s part alien invasion story, part buddy comedy, and part workplace satire—publishing with St. Martin&#8217;s Press on February 24.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>All his life, John has tried to live by those rules. Most days, it’s not too difficult. A hundred and twenty years after The Fall, and a hundred years after the grays swept in to pick the last dregs of humanity out of the wreckage of a ruined world, John has found himself bonded to Martok Barden nee Black Hand, one of the &#8220;good&#8221; grays. Sure, Martok is broke, homeless, and borderline manic, but he’s always treated John like an actual person, and sometimes like a friend. It’s a better deal than most humans get.<br><br>But when Martok puts John’s bond up as collateral against an abandoned house in the woods that he hopes to turn into a wilderness retreat for wealthy grays, John learns that there are limits to Martok’s friendship. Soon he finds himself caught between an underworld boss who thinks Martok is something that he very much is not, a girl who was raised by feral humans and has nothing but contempt for <em>pets </em>like John, and Martok himself, whose delusions of grandeur seem to be finally catching up with him.<br><br>Also, not for nothing, something in the woods has been killing people.<br><br>John has sixty days before Martok’s loan comes due to unravel the mystery of how humans wound up holding the wrong end of the domestication stick and find a way to turn Martok’s half-baked plans into profit enough to buy back his life, all while avoiding getting butchered by feral humans or having his head crushed by an angry gray. Easy peasy, right?</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">Chapter One</h3> <p>“John!” Martok bellows as he bursts through the door. “I have news, my friend—wondrous, wondrous news! You’ll not believe what fell to me in the markets today!”</p> <p>John turns away from the window, the only one in the bare boardinghouse room he and Martok have shared for the past two months, where he’d been passing the afternoon watching the machinations of a murder of crows as they attempted to scavenge the carcass of a dead rat from beneath the wheels of the passing trundlecars in the street below, to see his patron hanging his formal sash on the hook by the door. Martok’s three-fingered hands are trembling with excitement, so much that it takes him two tries to get the sash to stay, and the crest that runs down the center of his broad bald scalp is flushed a happy pink.</p> <p>“John!” Martok says again, then crouches so that his head is nearly level with John’s and spreads his arms wide. “Come to me, my friend! This has been a truly wondrous day!”</p> <p>John hesitates a bare moment, then sighs, crosses the tiny room in three strides, and steps into the gray’s crushing embrace. Martok lifts him, thick hands pressing John against the hairless, wrinkled skin of his chest, spins him half-around, and sets him down again with his back to the door.</p> <p>“Ask, John! You must ask!”</p> <p>John takes a deep breath in and lets it out slowly, mostly to make sure Martok hasn’t cracked his ribs in his exuberance, then says, “Please tell me, Martok. What wondrous thing did you find in the markets today?”</p> <p>He’s expecting to hear something about a new sash, or a refurbished handheld, or perhaps a particularly ripe piece of fruit. Consequently, he has no idea how to react when Martok says, “A home, John! I have found us a home!”</p> <p class="has-text-align-center">***</p> <p>The intricacies of the grays’ economic system have never been remotely clear to John. What education he received in the crèche was mostly structured around learning ways to serve a future patron in practical ways. He was taught to cook, to clean, and to shoot (small-caliber weapons only, sufficient for hunting native game, but not remotely suited for penetrating the leathery, three-centimeter-thick hide of a gray). He knows there are some humans at work in the markets. He’s seen them there from time to time, has even seen Martok forced to barter with one of them on a few occasions. Whatever arcane knowledge of debit and credit that those humans have gained, however, did not come from the crèche, and Martok has never shown the slightest interest in passing along to John any small understanding of economics that he might have.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/02/After-The-Fall-.jpg" class="attachment-full size-full" alt="Cover of After The Fall by Edward Ashton." /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <!-- <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/02/After-The-Fall-.jpg" class="attachment-full size-full" alt="After The Fall" /> --> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/02/After-The-Fall-.jpg" class="attachment-full size-full" alt="Cover of After The Fall by Edward Ashton." role="presentation" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">After The Fall</h3> <p class="shop-the-book-author">Edward Ashton</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1770235204" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1770235204" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/02/After-The-Fall-.jpg" class="attachment-full size-full" alt="After The Fall" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/02/After-The-Fall-.jpg" class="attachment-full size-full" alt="After The Fall" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">After The Fall</h3> <p class="shop-the-book-modal-author">Edward Ashton</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0F5PDP11C?tag=tordotcomgeneral-20" data-book-title="After The Fall" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9781250375650" data-book-title="After The Fall" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9781250376220" data-book-title="After The Fall" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9781250375650" data-book-title="After The Fall" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9781250375650" data-book-title="After The Fall" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>John has seen enough, though, to know one thing for certain: He and Martok are poor. If he’s being honest with himself, that much was clear to him even on the day Martok took him away from the crèche. John was not one of the children who lined up eagerly to show off their skills for the grays who came by shopping for a bond. He was small for his age, with a high, piping voice and a slight stammer that came and went, with timing seemingly designed to maximize his embarrassment. Awkward with his peers and mostly terrified of the grays, John hung back as far as the nursemaids would let him when visitors came to the crèche—and as a consequence, he was passed over, time after time after time.</p> <p>He still remembers the moment when he realized that he was dooming himself. He was twelve, and a girl named Tila had just aged out without a bond and been unceremoniously put down in the alley behind the crèche. As one nursemaid heaved her body into the refuse bin and two others herded the children back into the building, it struck him suddenly, with the force of a physical blow: <em>That’ll be me someday.</em></p> <p>By the time Martok came by, John was, strictly speaking, already past the age where he should have been declared permanently un-bonded. The only reason he was still there, the only reason that the nursemaids kept shoving him out in front of every gray who came by, was that he was still small enough to pass, and the nursemaids in his crèche, despite their general indifference and occasional cruelty, didn’t actually enjoy putting humans down. Martok has never said exactly how the two of them wound up walking out of that place together, but John strongly suspects that when the nursemaids realized that Martok was just window-shopping, that he didn’t have enough credit for the processing fee, let alone for the purchase of a bond, they offered up John for precisely what he was worth—which is to say, for nothing at all.</p> <p class="has-text-align-center">***</p> <p>“I don’t understand,” John says. “A home? Isn’t this our home?”</p> <p>“This? A home?” Martok crosses over to the pantry in two short strides, reaches inside to pull out a protein brick, and tears off a bite half the size of John’s head. “This squalid hovel?” He gestures broadly with the hand holding the brick, spraying crumbs from both his hand and his thick, wrinkled lips in an arc half the size of the room. “This cramped, wretched hole? No, John. This is no home. This is a place of bare subsistence, sufficient only to keep our heads dry and our bodies warm as we wait for the gods of fate to hand us the opportunity that we have been awaiting.” He takes another bite, chews, and swallows. “And now, my friend? Now they have.”</p> <p>Martok drops onto the big bed that takes up a quarter of the room’s floor space, pops the remainder of the protein brick into his mouth, and then flops backward with his hands folded behind his head. “We leave this place tomorrow. I shall settle accounts with our twice-cursed landlord once we’ve had our breakfasts—it wouldn’t do to tell him before he’s fed us one last time, of course—and we shall be on our way. I have already secured a trundlecar to take us as far as the central terminal. From there, I’ve booked passage to the terminus at Lake Town.”</p> <p>John waits a beat for him to go on, then says, “Lake Town? That’s where we’re going?” John has never seen Lake Town. He’s never seen much of anywhere, honestly, other than the bits and pieces of Farhome, the city that still houses nearly eighty percent of the grays on the planet, that Martok has seen fit to show him. He’s heard of Lake Town, though. It’s the farthest western extension of the grays’ footprint on this world, a barely populated outpost on the southern shore of a mostly frozen freshwater sea. He’s not sure what sort of home Martok might have found there, but he’s hard-pressed to imagine that it could be any better than this place.</p> <p>“Oh no,” Martok says, his chest rumbling with laughter. “Lake Town is a terribly depressing place, John—a refuge for miscreants and ne’er-do-wells who have been driven from the more polite society of Farhome, mostly for perfectly good reasons. I spent two thoroughly unpleasant years there when I first made landfall on this world, and I have no interest in ever returning. Lake Town is not our destination. It is simply the farthest extent of the transport network. I intend to stay there for the shortest time that we can possibly manage.”</p> <p>“Oh,” John says, then reaches up to scratch the back of his head. “I’m confused.”</p> <p>Martok sits up again, and his lips fold back from his thick, square teeth and two stubby upturned tusks in a parody of a grin. “As well you might be. You would not know this from our time together, John, but I was not always the soft city dweller that you see now. Years ago, I was considered quite the adventurer, and I expect that experience will serve us well now. Upon reaching Lake Town, we shall strike out southward, away from the lakeshore. Our destination is some fifty kilometers along, over hill and bramble, across rill and stream, and through trackless wilderness.”</p> <p>He leans back, and the bed groans as his weight settles onto his elbows. “As I have already implied, I had a most fortuitous meeting in the markets today. In particular, I met a worthless scion of the Greatfoots, a distant descendant of the Chief Administrator himself—Daro Lia née Greatfoot by name. It seems this wretch had acquired a great deal of property beyond the reach of polite society, south and west of Lake Town in what was once an agricultural region of sorts. He purchased this property not because he had the slightest idea what to do with it, of course, but merely as a speculative investment. Such follies are common among the more useless members of the wealthier clans, you know. They have abundant credit, but they lack the wit to imagine how to invest it usefully. It seems he had some idea that Lake Town was due to expand greatly, and that when it did, he would be in a position to profit massively.”</p> <p>With that, Martok gets to his feet again and begins pacing—a singularly unsatisfying thing to do in such a tiny space, but John knows by now that when Martok is excited about something, he has a great deal of trouble holding still.</p> <p>“This ignorant Greatfoot has such an impoverished imagination that he could see no use for land such as this beyond the construction of more of what we already see around us. When it became clear, as it should have been from the outset, that no expansion in the direction of Lake Town was in the offing, he had no ability to see other possible avenues of progress.”</p> <p>He stops pacing then and turns to face John, arms spread wide. After a moment’s hesitation, John hazards, “But… you did see some such opportunity?”</p> <p>“Yes!” Martok says, and starts pacing again. “Of course! I am no failed third nephew of a wealthy clan, John. All my life, I have had to earn my way by my wits, and as this dullard poured out his tale of woe over a half-full tankard, I could already see what he could not. I let him ramble on for an hour or more, and then, my voice dripping with sympathy and fellow-feeling, I offered, strictly as a favor to both him and his noble clan, to relieve him of the burden of his misbegotten investment.”</p> <p>Martok seems about to burst with self-satisfaction. John, though, is beginning to feel a familiar, gnawing unease. This isn’t the first time that Martok has had a brilliant idea, one sure to bring him the wealth and acclaim that he clearly deserves.</p> <p>A quick glance around their squalid room tells the tale of how those other opportunities ended.</p> <p>“So…” John says. “This Greatfoot, he just… <em>gave </em>you the title to this property?”</p> <p>That stops Martok’s pacing again, and when he turns to face John, his face has lost some of its smugness. The gnawing in John’s belly turns abruptly into a sharp, stabbing pain.</p> <p>“Well, no. Of course not. Even a decadent Greatfoot dandy would not be foolish enough to simply hand over an opportunity like this to one he’d just met, would he?”</p> <p>John closes his eyes and breathes in, then out slowly. When he opens them again, Martok’s gaze has dropped to the floor between them. “Martok?” John says. “What did you give him?”</p> <p>“Well,” Martok says. “Nothing, really. A pledge, only. He was in such desperation to be rid of the property that he lent me the credit to take it from him. I had only to pledge him collateral.”</p> <p>Collateral? John’s eyes sweep the room. Everything Martok owns is here. What could he have…</p> <p>Oh gods.</p> <p>“Martok?” John says, slowly, evenly. “Did you… no, you couldn’t have. Please tell me you didn’t pledge him my bond?”</p> <p>Martok turns away, flops back onto the bed, and covers his face with his arms. “What does it matter what I pledged? I tell you truly, John. At the rate he offered me, this property will pay for itself a thousand times over.”</p> <p>John drops back into his seat by the window and buries his face in his hands. His heart seems to be trying to pound its way out of his chest, and when he speaks again, his voice is trembling.</p> <p>“When is the first repayment due to him, Martok?”</p> <p>“Sixty days,” Martok says. “An eternity, really.”</p> <p>John knows the answer to his next question, but he asks anyway. “And do you have it? Do you have enough credit even to cover the first payment?”</p> <p>Martok doesn’t answer. Outside the window, the crows have given up on what remains of the carcass in the road and have fallen to fighting among themselves over a hunk of protein brick that’s been dropped by a passing gray. John closes his eyes again and breathes in, breathes out.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size"><em>After the Fall. </em>Copyright © 2026 by Edward Ashton. All rights reserved.</p> <p>The post <a href="https://reactormag.com/excerpts-after-the-fall-by-edward-ashton/">Read an Excerpt From &lt;i&gt;After The Fall&lt;/i&gt; by Edward Ashton</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-after-the-fall-by-edward-ashton/">https://reactormag.com/excerpts-after-the-fall-by-edward-ashton/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838280">https://reactormag.com/?p=838280</a></p>
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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/from-season-4-teaser-trailer/">https://reactormag.com/from-season-4-teaser-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838672">https://reactormag.com/?p=838672</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/from/" class="inline-block link-no-animation" aria-label="Link to term or tag From 1"> From </a> </span> </div> <h2 class="post-hero-title text-h1">Knowledge Comes With a Cost in <i>From</i>’s Season 4 Teaser Trailer</h2> <div class="prose post-hero-description prose--post-hero">We also now know when the new episodes will premiere on MGM+</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 4, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: MGM+</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] 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fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img fetchpriority="high" decoding="async" width="740" height="514" src="https://reactormag.com/wp-content/uploads/2026/02/From-740x514.jpg" class="w-full object-cover" alt="Harold Perrineau looking worried in season 4 of MGM+&#39;s FROM" srcset="https://reactormag.com/wp-content/uploads/2026/02/From-740x514.jpg 740w, https://reactormag.com/wp-content/uploads/2026/02/From-1100x764.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/02/From-768x533.jpg 768w, https://reactormag.com/wp-content/uploads/2026/02/From-1536x1067.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/02/From.jpg 1600w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: MGM+</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Where does the time go? The fourth season of MGM+’s <em>From</em> is set to premiere in mere months, and today we got a teaser trailer and an official release date for the upcoming episodes.</p> <p><a href="https://reactormag.com/things-still-scary-af-in-from-season-3-trailer-and-we-now-have-a-release-date/" target="_blank" rel="noreferrer noopener">The show stars <em>Lost</em>’s Harold Perrineau</a> and takes place in a town where those who enter it can’t seem to leave, no matter how hard they try. The teaser today suggests that the town’s inhabitants might finally get answers: Who is the Man in Yellow, and what does he want? Will Jade and Tabitha’s revelation be the key to finally going home? How much longer can Boyd hold the town together, even as his body and mind are falling apart? And what role will the town’s most recent arrival play in the events to come?</p> <p>The teaser also makes clear, however, that those answers will cost something… something bad, no doubt. &nbsp;</p> <p>In addition to Perrineau, the show stars Catalina Sandino Moreno (<em>Maria Full of Grace, The Affair</em>), Eion Bailey (<em>Band of Brothers</em>), Hannah Cheramy (<em>Under Wraps, Van Helsing</em>), Simon Webster (<em>Strays</em>), Ricky He (<em>The Good Doctor</em>), Chloe Van Landschoot (<em>Charity, Skin</em>), Corteon Moore (<em>Utopia Falls</em>), Pegah Ghafoori (<em>The Perfect Wedding</em>), David Alpay (<em>Castle Rock</em>), Elizabeth Saunders (<em>Clarice</em>), Avery Konrad (<em>Honor Society</em>), Scott McCord (<em>East of Middle West</em>), Nathan D. Simmons (<em>Diggstown, This Hour Has 22 Minutes</em>), Kaelen Ohm (<em>Hit &amp; Run, Eumenides Falls</em>), Angela Moore (<em>A Series of Unfortunate Events, Maid</em>), A.J. Simmons (<em>Reacher</em>), Julia Doyle (<em>Astrid And Lilly Save The World</em>), Robert Joy (<em>CSI: NY</em>), and Samantha Brown (<em>Y: The Last Man</em>). It’s showrun by Jeff Pinkner (<em>Lost, Alias, Fringe</em>) and has episodes directed by Jack Bender (<em>Lost, Game of Thrones, The Institute</em>).</p> <p>The fourth season of <em>From</em> will premiere on MGM+ on Sunday, April 19, 2026, at 9 p.m. ET/PT.</p> <p>Check out today’s teaser-trailer below. [end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="18201"/> </div></figure> <p>The post <a href="https://reactormag.com/from-season-4-teaser-trailer/">Knowledge Comes With a Cost in &lt;i&gt;From&lt;/i&gt;’s Season 4 Teaser Trailer</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/from-season-4-teaser-trailer/">https://reactormag.com/from-season-4-teaser-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838672">https://reactormag.com/?p=838672</a></p>

Reading: January 16-31

Feb. 4th, 2026 06:56 pm
mothereader: A dark image of a library shelf with a black ladder across it. (books!)
[personal profile] mothereader

Friends, I've worked hard and now the hard part is over. Things mostly went better than I expected. I'm very pleased. I'm also pleased that I can now make my biceps jump out, so that the family can no longer say that they don't see them.

Well, I haven't seem them in approximately three weeks, but as soon as I get home (from a place that is also home ^^), they'll all be required to look at my biceps.

I've got a bit of a list to wrap up the month because my primary avoidance and destressing technique is to read. My number is also a bit inflated because I read a manga series plus one more, and two and a half novel series that had been originally serialised. Both categories are very easy to read.

Let's start with manga for this month. I read the first volume of Dysfunctional Family Theory. I was admittedly initially to the colour combination on the cover (not even the image, just the colours), but I had a lot of fun with it. I'm impatiently waiting for the sequel coming in March.

The other manga that I read were all part of a series, Delinquent Daddy and Tender Teacher. This was a predominantly cozy read. Nothing much happened in any one volume, but I liked that at the end of a volume, you could still say, "ah, this character changed their behaviour around this one specific thing throughout this volume." If there were, I'd read more.

Now for the Chinese novels. I started that series of reads with The Missing Piece. That book went from middling to slightly better by the end. The flashbacks really brought this book back to life even though they were at times too long. Riverbay Road Men's Dormitory, on the other hand, went from really good to okay. I liked the first volume a lot, but then the second volume spoiled that. It felt really messy, which did give it a dose of realism, but I also personally didn't like the ending, so there's that.

The last on that list was The Disabled Tyrant's Beloved Pet Fish series. The first two volumes were my jam—there were annoying tasks that the fish had to complete, there was palace politics, the tyrant is an intense weirdo, not in the least for the way he gets with his pet fish before he knows that the fish can turn into a person. The rest of the volumes still had some of all that but those things that I liked felt more like a sidebar to the kid plot (magical kids, friends). It just wasn't as enjoyable, although those volumes had their moments as well.

There were a few more books, but I'll cover them in the next edition of the reading log.

I got Spell Bound purely on the aesthetic principles. I saw a preview somewhere of how some of the inner pages were laid out and I had to have it. There's something in the content as well, but the design of this book is where it's at for me.

This next book was such a weird read for me. The Comfort Crisis is partially a memoir of Easter's time in Alaska hunting caribou and partially reporting on different aspects of wellness. He goes, "As we were sitting here talking about X, I was brought back to the time when I went to interview Y on this topic," and then he'll go off on this for a while. He also brings back topics to deepen them at times. Overall, I enjoyed reading this book so much more than I thought I would when I read,

I'm standing on a windy tarmac in Kotzebue, Alaska, a 3,000-person village 20 miles above the Arctic Circle on the Chukchi Sea. In front of me are two airplanes. One will soon dump me deep into the Alaskan Arctic, a place that's generally agreed to be one of the loneliest, most remote, and most hostile on earth. I'm on edge.

on the first page. There are lots of things to consider on your own in this book. I recommend it.

I went back to serialised fiction with another entry in Zagorka's canon. It's not a well-known book and it has only been published as novel for the first time in 2015 (this is based on the entries in the National University Catalogue for that book... so, to the best of my knowledge). Unlike all of the Zagorka's novels that I had read before, this one is a contemporary mystery—with the unavoidable presence of romance—and it's set in the post-WWI Yugoslavia.* Now that I'm thinking about it, this book might also be thought as reimagining what Sherlock Holmes would be like if he were living in the northwest Balkans. Anyway, wish I could recommend this book, but there are no translations.

And then the last book on my list today was one of the references in Zinsser's Writing to Learn: Writing to Learn Mathematics. I found this booklet informative and inspiring. It's full of examples and strategies to use when teaching maths to kids and how to use expressive writing in a mathematics class.+ I think that the strategies are broadly enough expressed that this book might be a guide on how you might use writing to learn something on your own.

  • Mayo Tsurukame, Dysfunctional Family Theory vol. 1
  • Tama Mizuki, Delinquent Daddy and Tender Teacher vol. 1–6
  • Kun Yi Wei Lou, The Missing Piece
  • Fei Tian Ye Xiang, Riverbay Road Men's Dormitory vol. 1–2
  • Xue Shan Fei Hu, The Disabled Tyrant's Beloved Pet Fish vol. 1–5
  • Chaweon Koo , Spell Bound: A new witch's guide to crafting the future
  • Michael Easter, The Comfort Crisis: Embrace Discomfort to Reclaim Your Wild, Happy, Healthy Self
  • Marija Jurić Zagorka, Tozuki
  • Joan Countryman, Writing to Learn Mathematics: Strategies That Work, K-12

* Also known as the first Yugoslavia. This was a kingdom, not the communist republic that was founded after WWII.

+ Learning mathematics in higher education makes it so funny that primary and secondary math so little technical writing. Nowadays, I do so much writing during which mathematical symbols are only incidental. ^^'

(no subject)

Feb. 4th, 2026 08:54 pm
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[personal profile] aikoto posting in [community profile] hamugis

continuing w pkmn x hndr, these will be kurara and kyoshika
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Posted by Ellsworth Toohey

Phil Pasquini / Shutterstock.com

Steve Bannon wants ICE agents surrounding polling places this November. "We're going to have ICE surround the polls come November," Bannon said on his War Room podcast Tuesday. "We're not going to sit here and allow you to steal the country again." — Read the rest

The post "We're going to have ICE surround the polls," Bannon says appeared first on Boing Boing.

Artemis moon mission delayed

Feb. 4th, 2026 07:03 pm
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Posted by Gail Sherman

Artemis II, the first crewed mission to orbit the moon since 1972, has been delayed again. The February 8 launch was scrubbed after hydrogen leaks were discovered during testing.

After an earlier launch was scrubbed due to extreme cold at the Florida launch site, NASA ran a "wet dress rehearsal" with the rocket's fuel tanks loaded with liquid hydrogen and oxygen. — Read the rest

The post Artemis moon mission delayed appeared first on Boing Boing.

Reading Submissions

Feb. 4th, 2026 11:33 am
hrj: (Default)
[personal profile] hrj
There's a terrible tension when reading fiction submissions between wanting to share the experience (both the good and the questionable) and knowing that no good ever came from discussing specific submissions in public. [1] Especially when...*waves hi to some of my submitters who also read this journal.*

If I had an editorial team, then that would be the appropriate forum for such discussions, but the project simply isn't big enough to call for anyone besides me. (Also, part of the joy of a small project is that ability to cater to one's own tastes without the need for compromise.)

I think as the Fiction Series has evolved, I've gotten a bit more skilled at identifying and articulating what I'm looking for and what drives my decisions. I've blogged a couple times in general terms on that topic (and link to it in the Call for Submissions) so even those who don't follow me personally in social media can have a glimpse inside my decisions process, if they care to.

Anyway, nothing really important here, just ruminating on my current priority. Only 7 more stories to read in the first round, then comes the harder part.

[1] Conventions have occasionally had panels on the theme "it came from the slush pile" where stories get shared, but anything that gets specific enough that a particular story/author could be identified is rather in bad taste.
oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)
[personal profile] oursin

What I read

Finished The Doxies Penalty - I wonder where my copies of the first two in the sequence have got to? should like to revisit.

Kent Haruf, Plainsong (1999) - I think I mentioned when reading another work by Haruf that I had been intrigued by an essay in a collection by Ursula Le Guin about his novels, so I was looking out for these at 'taking a punt' prices. I feel that, um, admire the writing, the subtle subdued effects etc etc etc but not impelled to rush out and acquire everything he ever wrote.

For a massive change of pace, Megan Abbott, El Dorado Drive (2025) which was good if grim noirish about sisters who were brought up in comfort and then the economy crashed, getting caught up in a rather creepy pyramid-type scheme.

Then another change of pace, Julia Quinn, Romancing Mister Bridgerton (Bridgertons, #4) (2004) as it was on Kobo promotion and I felt maybe I should given these a whirl, but not massively taken. Kind of slow.

Then yet another Dick Francis, Decider (1993), pretty good, even if we have yet another dysfunctional privileged family (this one owns, or at least, is in the process of inheriting, a racecourse), at least one of whom is a raging psychopath. The competence-porn in this one involves architecture, in particular restoration of ruined buildings, with a side-trip to erecting a big top and how circuses deal with potential fires etc (plot-relevant).

On the go

Somebody somewhere some while ago was mentioning Somerset Maugham's Cakes and Ale (1930), which I literally read in my schooldays and never since, and had it mentally on a list to look at again, so downloaded it from The Faded Page and am well stuck in. Love Our Narrator being bitchy about Literary Circles, not so much enthralled by the actual plot.

Up next

Dunno. It's that time of year when I really have no idea what I want to read. Maybe that book about the Bigfoot Community?

Win Win... nope

Feb. 4th, 2026 11:33 am
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[personal profile] susandennis
Biggie has stones in his bladder and crystals in his urine and a fairly high ph count. The trifecta. The vet cannot figure out how to fix him. Surgery is still on the table but tabled for another month. Instead we're doubling down on one of his pills so now he takes FIVE fucking pills a day. Holy crap. AND no dry food. So Julio gets no dried food either. Neither of them are going to be happy about that.

We go back in 4 weeks, again. $365 this time. This cat could have sent a kid to college with the money he's cost me in vet bills. When I adopted him, they told me he had feline leukemia and would likely not live more than year. I expected a year of vet bills. That was 6 years ago. He does not have feline leukemia. He does have a violent obsession with keeping vets in business.
erinptah: (Default)
[personal profile] erinptah

Justice for Keith Porter Jr., shot by an ICE agent who wasn’t even on duty.

Justice for Geraldo Lunas Campos, killed by a guard while imprisoned in an ICE facility.

Justice for Luis Beltrán Yanez-Cruz, died while imprisoned by ICE, from health issues they only made token efforts to treat.

Justice for Luis Gustavo Núñez Cáceres, died while in ICE custody, they did get him to a hospital but not soon enough.

Justice for Parady La, died while imprisoned by ICE, from a medical crisis they didn’t even pretend to treat.

Justice for Heber Sanchez Domínguez, died while imprisoned by ICE, under suspiciously-unclear circumstances.

Justice for Victor Manuel Diaz, died while imprisoned by ICE, under suspiciously-unclear circumstances.

A US attorney in the Minnesota courts, who only didn’t quit because her job includes processing the release orders for ICE’s onslaught of detentions, “told U.S. District Judge Jerry Blackwell on Tuesday, “I wish you would just hold me in contempt of court so I can get 24 hours of sleep.”” (Since then, she’s been fired. Commentary from rahaeli: “I hope the poor woman gets her 24h of sleep before filing her whistleblower retaliation lawsuit“)

Elected Democrats are actually fighting this. It’s a shame they don’t have the numbers to just out-vote every single atrocity Republicans are hot for. Can this be the year the voters figure that out, and finally elect more Democrats?

As if all of the above wasn’t enough reason, here’s some more: “Democrats Successfully Strip All Anti-Trans Riders From Final Appropriations Bills

Can we vote out the party that keeps designing the anti-trans riders in the first place? Please?


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[personal profile] james_davis_nicoll


This all-new Human Gorilla Heists Bundle presents .PDF ebooks from Human Gorilla Creations that help you create tabletop fantasy roleplaying adventures of thieves and thievery.

Bundle of Holding: Human Gorilla Heists

SGA Ficlet: Reset

Feb. 4th, 2026 07:26 pm
kat_lair: (SGA - typical)
[personal profile] kat_lair
***

Title: Reset
Author:[personal profile] kat_lair
Fandom: Stargate Atlantis
Pairing: Rodney McKay/Radek Zelenka
Tags: Ficlet, Snow, Alternate Universe - Academia, Alternate Universe - Steampunk
Rating: G
Word count: 568

Summary: The snow falls on the courtyard, the quadrangle between the imposing stone buildings disappearing from view slowly but inexorably.

Author notes:
 Written for [personal profile] spiralicious for  [community profile] fandomtrees. This is unbetaed so if you spot a typo/mistake, you should absolutely tell me about it. Those AU tags promise more than the ficlet delivers but In My Head this is a very Dark Academia Steam Punk setting. They are building airships! The city state is rife with political intrigue! But this is just a moment of rest and pause amidst all of that...

Reset on AO3

Reset )

***

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Posted by Jason Weisberger

Spain proposed a basic online child safety law. Elon Musk freaked out as if someone had stolen his toys and grounded him for life. Rather than address the substance of very necessary legislation, Musk lashed out at Spain's prime minister as if protecting children was an assault on Elon and every freedom he finds important. — Read the rest

The post For some reason Elon Musk confuses child safety laws with personal persecution appeared first on Boing Boing.

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Posted by Popkin

Michael Beitz's Lies Bench plays with the idea of lies as something we rest upon. Made from dark maple and upholstered in soft salmon-colored chenille, the benches connect to spell "Lies" in loose, cursive lettering. Their simple, elegant design makes them feel comfortable and familiar, like furniture meant to be used. — Read the rest

The post Michael Beitz' Lies Bench plays with the idea of lies as something we rest upon appeared first on Boing Boing.

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Posted by Jason Weisberger

If you love Westerns, you probably think every cowboy was a gunslinger who carried a low-slung, hair-trigger revolver rig. Turns out that's nonsense invented for dramatic movie scenes.

This excellent video breaks down how folks really carried their guns in the 19th-century American West. — Read the rest

The post Hollywood lied to us about Old West pistoleers appeared first on Boing Boing.

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Posted by Boing Boing's Shop

TL;DR: Mondly Premium is a language learning app using short lessons, everyday topics, and speech tools to help learners practice 41 different languages at their own pace for $79.97 ($299.99) until Feb. 15 at 11:59 p.m. PT.

Learning a new language is one of those things everyone swears they'll do … right after cleaning out the garage. — Read the rest

The post Mondly makes learning a new language feel way less intimidating, now $80 appeared first on Boing Boing.

The Everlasting by Alix E. Harrow

Feb. 4th, 2026 02:19 pm
lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
[personal profile] lightreads
The Everlasting

3/5. Fantasy about the soldier turned scholar who ends up going back in time (and back . . . and back . . . and back) to meet the lady knight who is pivotal to the founding myth of his nation. Arthurian time travel about nation-building and myth creation and racism.

Man, I don’t know what it is, but I just do not like Alix Harrow books the way I should. Even this one, where the overwrought quality of her writing finally has a story to match its tone. The writing in some sections is notably strong, I should say. But there is something in every single one of her books that I cannot put my finger on, and it just annoys the crap out of me.

I will admit this is structurally clever. The narrative gets rewritten multiple times to create new founding national myths, and she manages that while not being too terribly repetitive, and also establishing a few important touchpoints that orient the reader to how the angle of history has changed in just a few sentences. That is well done.

I still don’t know. The one objection I can concretely point to here is that I don’t like the way this book centers nation-building around the ego and trauma and psychopathy of one single person. The metaphor of it all collapses there, because that’s not how this works. Systems of racial oppression and societal violence don’t form on the whim of a single person, and there is something trite in the way Harrow has her villain reconstructing this nation over and over again based on, like, ten minutes of history that get played out a thousand years before the modern day events. Which is a real objection – I think that is a weakness of the book. But it’s not the thing I found annoying and off-putting, and I still don’t know what that is.

I’d bet on this to go on a bunch of award lists, though, just you wait.

Content notes: Racialized oppression, violence in war and otherwise, discussion of the killing of civilians, mention of stillbirth and sexual assault, something that is not the death of children but awfully close.
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Posted by Molly Templeton

News The Exorcist

Chiwetel Ejiofor Joins Mike Flanagan’s Exorcist Movie

Perhaps he will be the one doing some exorcising?

By

Published on February 4, 2026

Screenshot: Netflix

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/chiwetel-ejiofor-mike-flanagan-exorcist/">https://reactormag.com/chiwetel-ejiofor-mike-flanagan-exorcist/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838602">https://reactormag.com/?p=838602</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-exorcist/" class="inline-block link-no-animation" aria-label="Link to term or tag The Exorcist 1"> The Exorcist </a> </span> </div> <h2 class="post-hero-title text-h1">Chiwetel Ejiofor Joins Mike Flanagan&#8217;s <i>Exorcist </i>Movie</h2> <div class="prose post-hero-description prose--post-hero">Perhaps he will be the one doing some exorcising?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on February 4, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Netflix</p> </div> <div 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15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="395" src="https://reactormag.com/wp-content/uploads/2020/12/OldGuard-02-740x395.png" class="w-full object-cover" alt="Chiwetel Ejiofor in The Old Guard" srcset="https://reactormag.com/wp-content/uploads/2020/12/OldGuard-02-740x395.png 740w, https://reactormag.com/wp-content/uploads/2020/12/OldGuard-02-1100x587.png 1100w, https://reactormag.com/wp-content/uploads/2020/12/OldGuard-02-768x410.png 768w, https://reactormag.com/wp-content/uploads/2020/12/OldGuard-02.png 1500w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Netflix</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The horrors are coming along nicely. In 2024, Mike Flanagan signed on for <a href="https://reactormag.com/the-next-exorcist-movie-might-get-mike-flanagan-as-its-director/" target="_blank" rel="noreferrer noopener">a new <em>Exorcist</em> film</a>—one that was originally assumed to be the follow-up to David Gordon Green&#8217;s poorly received <em>The Exorcist: Believer</em>. But Flanagan is instead doing his own thing. In November, <a href="https://reactormag.com/mike-flanagans-exorcist-movie-scarlett-johansson-details-cast/" target="_blank" rel="noreferrer noopener">Scarlett Johansson signed on to star</a> in a film that is reportedly a “<a href="https://variety.com/2025/film/news/scarlett-johansson-exorcist-movie-1236591122/" target="_blank" rel="noreferrer noopener">radical new take</a>” on the <em>Exorcist</em> franchise, set in the same universe as the 1973 original.</p> <p>It was previously announced that Johansson will be joined by <a href="https://variety.com/2026/film/news/mike-flanagan-exorcist-release-date-1236633686/" target="_blank" rel="noreferrer noopener">Jacobi Jupe</a> (<em>Hamnet</em>), who plays her child, and <a href="https://deadline.com/2026/01/the-exorcist-diane-lane-cast-mike-flanagan-1236698455/" target="_blank" rel="noreferrer noopener">Diane Lane</a>, whose role remains unknown. One is tempted, of course, to assume that young Jupe will wind up possessed, in keeping with the plot of the original film, but one actually knows nothing at all. Perhaps this time it&#8217;s a mother facing possession. Flanagan, who is writing and directing, is not exactly known for taking the most straightforward options.</p> <p>Now we&#8217;ve got one more star in a mysterious role: Chiwetel Ejiofor (<em>The Old Guard</em>, <em>Children of Men</em>) <a href="https://www.hollywoodreporter.com/movies/movie-news/chiwetel-ejiofor-joins-scarlett-johansson-in-new-exorcist-1236494538/" target="_blank" rel="noreferrer noopener">has also joined the cast</a>, reuniting him with his <em>Life of Chuck</em> director. (Flanagan does love to reuse his ensemble!)</p> <p>According to <em>The Hollywood Reporter</em>, &#8220;Sources say the actor will be playing an ex-con turned priest.&#8221; </p> <p><em>The Exorcist</em> is expected to begin production in New York City next month. It&#8217;s set to begin haunting theaters on March 12, 2027.[end-mark]</p> <p>The post <a href="https://reactormag.com/chiwetel-ejiofor-mike-flanagan-exorcist/">Chiwetel Ejiofor Joins Mike Flanagan&#8217;s &lt;i&gt;Exorcist &lt;/i&gt;Movie</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/chiwetel-ejiofor-mike-flanagan-exorcist/">https://reactormag.com/chiwetel-ejiofor-mike-flanagan-exorcist/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=838602">https://reactormag.com/?p=838602</a></p>

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